Philadelphia native Box Brown was 16 years old when he was arrested for smoking pot. He was a direct victim of America’s long running campaign for weaponizing cannabis and using it as a tool of oppression for its citizens. “It sucked, it was horrible,” he says of the incident. “I had to go to court, I had to see a probation officer every week, and I was criminalized. I thought, ‘this doesn’t seem right to me,’ as a child … It was obvious to me as a non-adult that this was bullshit.”

“Pretty much, from what I’ve found, is that 90% of cartoonists get high, and 1% mention it.”

Box Brown, Graphic Novelist

Decades later, Box Brown would go on to publish the New York Times Bestselling graphic novel, André the Giant: Life and Legend, for First Second Books in 2014. Three years prior, Brown had won a 2011 Xeric Grant for his comic book, Love is a Peculiar Type of Thing, and kickstarted his own small publishing outfit, Retrofit Comics, that same year. He went on to write and illustrate two more biographical graphic novels for First Second, Tetris: The Games People Play and Is This Guy for Real? The Unbelievable Andy Kaufman, published in 2016 and 2018 respectively.

Today, Brown works full-time as a cartoonist, splitting work between writing and drawing his own lengthy graphic novels, guest writing for comics of licensed properties such as Adventure Time, Rugrats and WWE, and spending time raising a child alongside his wife. Not bad for a man who decided to pick up cartooning after graduating college, and—by all technicality—was once considered a juvenile delinquent. 

Cannabis, Legalization, and the Birth of a Graphic Novel

And surely, for the best, the constant that became and has remained a source of inspiration for the cartoonist is the same herb that gave Brown a new perspective of life as a teenager: cannabis.

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It’s also the subject of his upcoming historical graphic novel, Cannabis: The Illegalization of Weed in America, due out April 2, 2019. The comic book aims to provide essential context to understanding America’s interest in banning cannabis and demonizing its users, touching on its historical cultivation in Mexico City by Spanish conquistador Hernán Cortés, and shedding light on Harry J. Anslinger and the Federal Bureau of Narcotics’ campaign against cannabis use in America.

His comics are dense … But they’re playful, engaging, innocent, drawn in a manner that’s almost cute. In other words, Brown is a true cartoonist.

It’s a tale that Box Brown took deadly serious and spent painstakingly long hours researching. Over our 45-minute phone call, Brown spouted tidbits about the plant and its history I’d never heard before. He spoke on Nixon’s efforts and role in establishing a war on drugs, as well as the effects of negative cannabis propaganda which still continues years after its legalization in many states. At one point, Brown recalled a moment where his editor told him to lighten up over his book’s subject matter. Brown was caught up in the “reefer madness,” and enraged with its potent history of lies.

“I probably worked on this book for 16 months or something like that, between the research, the drawing of it, and editing that stuff,” Brown remembered. “But in a way, I’ve been working on it my whole life, almost the same way that I had been working towards the Andre the Giant book since I was 10. I was so overwhelmed by the amount of information that was out there. It’s just insane.”